BOOK REVIEW—The Book of Koli by M.R. Carey


The Book of Koli by M. R. Carey
Published by Orbit (an imprint of Little, Brown Book Group, an Hachette UK Company)
Publication date 16 April 2020

I enjoyed M. R. Carey’s The Girl with All the Gifts immensely. I went into it not knowing at all what it was about; if I’d have known, I might not have picked it up for fear of it being a genre book, but by the time I realised what I’d gotten myself into, I was hooked and well impressed by Carey’s storytelling skills. This, taking something that had been done to death, writing it well and making it seem fresh, went a long way with me, so when I heard about his new book, The Book of Koli, of course I wanted to read it. The blurb promised another world, a hostile one where even the trees were predatory. This, too, intrigued me. It was one of those moments when you get a new book, combining an author you’ve enjoyed and a subject you’re interested in—a Christmas morning moment.

I settled in to read, but within half a page, I had to stop and give my head a bit of a shake. It was written in the first person, in very stylised—and atrocious—English. I probably outwardly cringed (inwardly, I certainly did). I gave myself a bit off a pep talk (‘perhaps it just starts this way,’ ‘you’ll get used to it,’ etc.) and ploughed on. Over the next few pages, I found myself correcting Koli’s grammar constantly and at one point actually worried that if I kept reading, I might end up picking up bad habits (I’m one of those people who unconsciously mimics other people’s accents, I don’t think this actually extends to bad vocabulary or grammar, but I did have the momentary worry). My hope that the style would give way to a more conventional use of our language was never fulfilled, but, eventually, my brain calmed down and I settled into the rhythm of the story.

It soon became clear this was another post-apocalyptic world, but one very different from The Girl with All the Gifts, one further in the future, far removed from our world, where technology had almost mythical status, technological items were treated like artefacts, and aspects of the world, such as the carnivorous plant life, seemed fantastical. The story is largely a coming-of-age tale set in this strange world where the mysteries of the environment and culture unfold as the young protagonist, Koli, a teenage boy on the cusp of adulthood, finds his feet. It’s enjoyable in many ways, but I think approaching it like a YA novel, a decent one that can be enjoyed by the young and adults alike, is probably a good starting point. Parts of it, such as the pop culture references presented through the tech, like inside jokes between the past and the reader, were entertaining.

It appears as though it’s the first book in a trilogy and, though this isn’t the most glowing of reviews, I will probably read the next book to see how it develops. With the YA caveat, I’d recommend this to anyone who thinks it sounds interesting. I’m aware I might feel disappointed because my expectations were high and I am the kind of reader that is disconcerted by blatantly disastrous grammar, even if it is intentional.

Though this is a mixed review, I’m still very grateful for the opportunity to read the book and would like to thank to NetGalley, Orbit, and the author.

BOOK REVIEW — Body Tourists by Jane Rogers

Body Tourists by Jane Rogers

Published by Sceptre, An Imprint of Hodder & Stoughton, An Hachette UK company

Publication date: 14 November, 2019

Conceptually, Body Tourists intrigued me from the beginning. Though the core idea, the transplantation of consciousness, has been explored in fiction before, the blurb promised a modern take that would not shy away from societal commentary and implications.

The opening chapters delivered on those promises, a story compelling in plot, but also thought provoking. As I carried on, however, a sense of impatience grew in me—at first I wondered if it was the format, the frequent addition of new characters, but soon realised it wasn’t that, so much as a problem with pacing within these sections. They sometimes seemed to drag; there were passages that seemed to add nothing integral to the characters or plot. At times I was left feeling as though pieces were written as character studies rather than with a cohesive narrative in mind. Looking back, after reading, it seemed a shame, as I did enjoy the book and would have appreciated it so much more with some tighter editing.

With all this said, I’d still recommend Body Tourists if you’re interested in the subject matter. It explores some interesting ideas.

With many thanks to NetGalley, the author, and publisher for providing me with a copy for review.

BOOK REVIEW — The Zeno Effect by Andrew Tudor

The Zeno Effect by Andrew Tudor
Published by Matador
Publication date: 14 January 2019

As a fan of intelligent speculative fiction in general (*more on that later) including well-written apocalyptic/post-apocalyptic fiction, I was happy to be provided with a copy of The Zeno Effect for review via NetGalley. My expectations weren’t high after looking at the summary of the existing reviews, but on reading the reviews thoroughly, I realised that what disappointed some of those readers, actually increased my desire to read the book. It seemed to me they were looking for an action thriller and instead found the book to be a more considered, perhaps to them slower, investigation of what would happen if, in a hypothetical future, a divided England and Scotland were at the centre of a world-altering pandemic. Reading the author’s bio and discovering he taught at the Universities of Essex and York, and was the Head of the Sociology Department at York, I was further encouraged—after all, how much of what would happen in an apocalyptic or post-apocalyptic scenario would be down to functioning of human society? In my opinion, quite a lot.                                                                                             

Happily, I can report I was not disappointed. The Zeno Effect started out as a dramatic political thriller along the lines of Le Carré (with maybe a hint of Graham Greene)—with the crossing paths of scientists, politicians, spies, and a journalist caught up in the maelstrom of a dangerous virus released into the wild—and evolved through into a dramatic apocalyptic thriller which, though more modern, reminded me of George R. Stewart’s Earth Abides, John Christopher’s The Death of Grass, and P.D. James’ Children of Men. Some of these influences were seemingly conscious as both Le Carré’s Tinker Tailor Soldier Spy and Earth Abides were actually mentioned in the narrative. 

As always, I like to write my reviews for the prospective reader and therefore do not like to go into plot details for fear of spoilers, but I will say that The Zeno Effect is intelligently written and not at all boring or lacking in plot. I started reading this at bedtime, expecting to be up for a half an hour or so, and before I realised, it had been two hours. I finished the book the following day; the story was obviously compelling. It did make me wonder about the initial middling reviews I’d read and, as I said previously, I think their lack of enthusiasm really may have stemmed from the book being different from their expectations. Looking back at my first impressions of the book now, it occurs to me this may have something to do with the cover art. I’m not a book designer, but in my opinion, it seems to follow the design conventions for mysteries and light thrillers and the large red Z was more than a little reminiscent of the covers for World War Z. For those who were consciously or subconsciously influenced by the cover to choose the book, perhaps there may have been an element of disappointment when they discovered the book to be different (more, in my opinion) than what they were expecting. They say ‘don’t judge a book by its cover’ and I’d say, especially in this case, that is exceptionally good advice. 

*When I say I appreciate intelligent genre fiction, I mean books that are as crafted in writing and construction as any story would be within the literary genre. There are variations within any genre, but I think this is amplified in speculative fiction and science fiction where we have authors like Margaret Atwood, Cixin Liu, George Orwell, and Alastair Reynolds sitting like gems amongst the penny-laden coffers of zombie, vampire, and prepper fiction. (Though I readily admit that there are exceptions even within those subcategories). Given how difficult it is to find this kind of quality in such an eclectic and prolific genre, I am happy to have found a new book to add to my library and a new author to keep an eye on in the future. If you’re into intelligent speculative fiction, I’d recommend you give The Zeno Effect a read. 

BOOK REVIEW – If This Goes On (anthology), edited by Cat Rambo

This anthology of 30 science fiction stories is a self-proclaimed rally cry to Americans to stand up against their current administration’s ethics and policies. Though it never mentions Donald Trump by name, it does reference ‘45’, as in the 45th president of the United States, and it is glaringly obvious that the editor feels Trump is a problem. Although I’m not an American, am Canadian and British, living in the UK, I do follow American politics quite carefully and can’t help but agree, but this said, to me, one of the strengths of science fiction is its ability to address current cultural or political issues by taking the reader out of their frame of context and, by doing so, allowing them to form fresh opinions unhindered by preconceptions. In this way, the genre often has the power to reach people who would otherwise be defensive to the point of being unable to contemplate an opposing standpoint. Given this, it seems a shame that while the stories in this collection could have done this, could’ve reached the people whose minds need broadening the most, the editor’s notes that follow every story were so vitriolic and obvious in their agenda that it leaves the book with a restricted audience, essentially preaching to the choir. To be honest, though I agree with the editor’s concerns and frustrations, even I found her comments off-putting due to the overwhelming sense of bitterness. In the preface, she mentions this project is born of rage and hope, but it seems that, barring one or two comments towards the end of the book, the rage is prevalent and the hope is, if not lost, then at least not evident. 

The stories themselves were for the most part a joy, addressing current issues—social media, mental health, gun crime, population control and many more—in an entertaining and thought-provoking manner. I enjoyed the range of styles and themes, like opening a wrapped box with contents unknown, this collection gave me the feeling that each story held endless possibilities. One of the highlights for me was “Three Data Units’ by Kitty-Lydia Dye, which was seemingly about artificial intelligence, identity, and the relationships amongst humans and artificial intelligences, though through its world building, was so much more, also commenting on the evolution or devolution of society. It seemed to me a modern fairytale, both beautiful and sad. Another story that stuck with me was “Making Happy” by Zandra Renwick; on a superficial level, the world the author constructed was so different from our own, with pixelated sidewalks and internal screens, but if you stripped back the dressings, you were left with something that uncannily was the world we live in, with all the traps of social media and the echo chambers we inhabit. 

As it stands, I’d recommend the anthology to anyone with liberal leanings who has an interest in speculative fiction. With either a change in tone or elimination of the editorial notes, or perhaps even a restructuring of the book so the notes were at the very end of the book where they wouldn’t detract from the immersive nature of the fiction, I would also happily recommend it to people who weren’t already politically aligned with the message of the book. 

If This Goes On is published by Pavrus Press LLC and will be released 05 March, 2019. 

I was provided with an advance copy via NetGalley.